A Diary

Synopsis

This film is a quiet, diaristic meditation on the atmospheres that shape our daily lives.

A Diary is a film composed of twelve short episodes that evoke the atmosphere of daily life, positioning it as an active element of lived experience through the lens of the camera. Shot between 2019 and 2024 using handheld devices such as GoPro, camcorder and iPhone, the film captures fleeting everyday moments with a sense of closeness and responsiveness. The editing process, akin to poetry, distils fragments of both private and public environments, forming fluid relations between distinct experiences of reality. Each episode revolves around a recurring atmospheric motif (snow, night, movement, autumn, place, memories, rain, wind, glasses, camera, ocean), followed by an epilogue. These themes unfold through tonal and sensory variation. Voiceover accompanies the fragmented footage, and the interplay between text and image shifts in rhythm and priority, sometimes shaped by the visuals, at other times guided by prewritten narration. Though fluid in structure, the film remains grounded in a reflective engagement with journaling, recording and the evolving methods of the diary form.

Structured like a piece of visual poetry, the film invites viewers to reencounter the overlooked dimensions of their own surroundings. Through the layering of sensation, memory, and place, atmosphere is reframed not as background, but as a quiet presence: the calm before a storm, the tremor of accumulated feeling. In doing so, the film opens space for reflection on perception, subjectivity, and the elusive forces that move between the visible and the felt.

Description

Built from years of accumulated footage, this film unfolds as a diaristic exploration of atmosphere as a felt condition that resonates through the textures of everyday life. Rather than documenting events or constructing a linear narrative, it traces a sensory logic: gestures, pauses, glimmers of light, and ambient noise come together to form a perceptual field that is as fragmented as it is intimate.

The filmmaker's use of mobile recording tools—GoPro, camcorder, and iPhone—emphasises a proximity to life as it happens, capturing unnoticed thresholds between interior states and shared environments. These visual notes, collected since 2019, refuse resolution or closure. Instead, they drift and accumulate, echoing the subtle fluctuations of mood and memory.

Through an editing process that draws on the cadence of poetry, the film arranges these fragments into an open structure that favours association over chronology. This method allows unexpected connections to emerge, revealing atmosphere as a force that mediates between the personal and the collective, the seen and the sensed. Ultimately, the work is less a record than a re-composition of time, inviting the viewer to dwell within a mode of attention attuned to the ephemeral, the quiet, and the unresolved.

Gallery View

Exhibition Video